My story goes like this, I learned to shoot film in my college Commercial Art program. I shot film for ten years, dropped and broke my beloved camera and bought a new-fangled digital camera. Canon 10D was the groundbreaking diggity-bomb at the time. So I shot digital for 10 years. Not much to say on that…it is what it is, always. Lacking the joy and artistry that I experienced when shooting analog I picked up film again just before my youngest was born. He’s almost 12. As a result, he has grown up in front of my too-many-to-count film cameras. I’ve been shooting One Roll, One Person with him since he was born. I love the compact snippet of 12 or so frames at a time to mark his childhood. No pressure, no planning, come as you are, show me who you are at THIS MOMENT. So here he is, 11 and a half, desperate to be taller than me, anxious to get on with Junior High, all about the friend group, memes, the skater style and no cheese ever (at least in my photographs, he is a well-trained little portrait machine.) On this day he was helping me test my ancient rusty Yashica Mat 124G, and this was the first roll I had run through this camera. Kodak Tri-x400. Always a winner for me.
As I have moved through my different photography journeys, first college, then online forums, to Facebook groups and Instagram pods, coffee shops and gallery shows, I have continued to build communities and relationships with other artists.
Charlene Hardy is a gorgeous example of One Roll, One Person with her own children. Click here to enjoy this Washington based portrait artist.
